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roadkill
2010, 55 minutes; 2 dancers
original sound score: Ben Frost
music: Patsy Cline, Bert Kaempfert, Dean Martin
"The dancers' movements are almost animal-like. In-between their touching duets, their legs are twitching or they're lying on the floor or they're showing awesome jumps - only flying could top that."
Matthias Lohr, HNA, 05/2010 |
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catcher
2009, 80 minutes; 15 dancers / 2 performers
live music: Bernd Wegener
sound design: Christian Düchtel / Matt Flores
"Wieland the border crosser once again surprises us with stunning changeovers between facetious impressions and lasting images of melancholy."
Juliane Sattler, HNA, 03/2010 |
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reinhardswald
2009, 45 minutes; 11 dancers / 4 performers
music: Radiohead / Daniel Pemberton
"At the end, when Lillian Stillwell starts
her power saw, you expect a proper chainsaw massacre, instead she
cuts the paper wall and shows us the Reinhardswald. Only Ryan
Mason's search for identity is even more beautiful."
Matthias Lohr, HNA, 12/2009 |
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...und raus
bist du!
2009, 100 minutes; 14 dancers, 1 dj, 6
performers
music: Bert Kaempfert, live sound design: Christian Düchtel
"This is the dilemma of modern people, at
which Wieland takes aim. Better, preciser, more exact than ever before."
Juliane Sattler, HNA, 3/2009 |
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selbstauslöser
2008, 90 minutes; 9 dancers
music: Pan American, Bert Kaempfert (amongst others)
"Above all, it is full of ideas."
Matthias Lohr, HNA, 10/2008 |
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neue
heimat
2008,
90 minutes; 13 dancers, 1 actress, 4 performers
music: Elvis Presley, Biosphere, phonophani (amongst others)
“A number of further
scenes show the playfully relaxed thinking of the choreographer and at the
same time, his high demand for artistic perfection.”
Michael Schäfer, Göttinger Tageblatt, 3/2008 |
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le sacre du printemps
2002/2007,
35 minutes; 14 dancers, 15 performers
music: Igor Stravinsky
"The way Wieland
transforms music into an aesthetic language of movement appears to be very
emotional in spite of all abstractions. Its affect leaves a lasting
impression upon the audience."
Michael Schäfer, Göttinger Tageblatt, 11/2007 |
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portrait
2007, 25
minutes; 6 dancers
music: Philip Glass
"…many individuals introduce themselves with their
corporal particularities; one sneaking; the next, elastically jumping in
soft somersaults; another one, catapulting himself over the ground, like
a beautiful animal with adidas stripes."
Eva-Elisabeth Fischer, Balletttanz
12/2007 |
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perspektive
2007, 80
minutes; 13 dancers, 1 actor, 7 performers
music: Nancy Sinatra, Andrews Sisters, Alog, phonophani (amongst others)
"Johannes
Wieland has no problem using the huge stage effectively for his
fascinating images and visions."
Marieluise Jeitschko, tanznetz, 5/2007 |
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freier fall
2006, 30 minutes; 12 dancers
music: Michael Gordon
"...very intelligent, very aesthetic, striking."
Göttinger Tageblatt, 3/2006
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reporter
2006, 28 minutes; 12 dancers, 12 performers
music: Alva Noto ,
Erik Satie, Vladislav Delay
"The ten
dancers, confident and brilliantly technical, demonstrate the ambivalences
in Wieland’s innovation without unpleasant artificial body patterns."
Marieluise Jeitschko, Neue Westfälische Zeitung, 11/2006 |
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freie radikale
2006, 31 minutes; 12 dancers
music: Antonio Vivaldi
"By means of humour and
the recognition factor of every day life, the choreographer manages to
reach the audience."
Andreas Berger, tanzjournal, 12/2006 |
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