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neue
heimat
2008,
90 minutes; 13 dancers, 1 actress, 4 performers
music: Elvis Presley, Biosphere, phonophani (amongst others)
“A number of further
scenes show the playfully relaxed thinking of the choreographer and at the
same time, his high demand for artistic perfection.”
Michael Schäfer, Göttinger Tageblatt, 3/2008 |
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le sacre du printemps
2007,
35 minutes; 14 dancers, 15 performers
music: Igor Stravinsky
"The way Wieland
transforms music into an asthetic language of movement appears to be very
emotional in spite of all abstractions. Its affect leaves a lasting
impression upon the audience."
Michael Schäfer, Göttinger Tageblatt, 11/2007 |
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portrait
2007, 25
minutes; 6 dancers
music: Philip Glass
"…many individuals introduce themselves with their
corporal particularities; one sneaking; the next, elastically jumping in
soft summersaults; another one, catapulting himself over the ground, like
a beautiful animal with adidas stripes."
Eva-Elisabeth Fischer, Balletttanz
12/2007 |
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perspektive
2007, 80
minutes; 13 dancers, 1 actor, 7 performers
music: Nancy Sinatra, Andrews Sisters, Alog, phonophani (amongst others)
"Johannes
Wieland has no problem using the huge stage effectively for his
fascinating images and visions."
Marieluise Jeitschko, tanznetz, 5/2007 |
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freier fall
2006, 30 minutes; 12 dancers
music: Michael Gordon
"...very intelligent, very aesthetic, striking."
Göttinger Tageblatt, 3/2006
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reporter
2006, 28 minutes; 12 dancers, 12 performers
music: Alva Noto ,
Erik Satie, Vladislav Delay
"The ten
dancers, confident and brilliantly technical, demonstrate the ambivalences
in Wieland’s innovation without unpleasant artificial body patterns."
Marieluise Jeitschko, Neue Westfälische Zeitung, 11/2006 |
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freie radikale
2006, 31 minutes; 12 dancers
music: Antonio Vivaldi
"By means of humour and
the recognition factor of every day life, the choreographer manages to
reach the audience."
Andreas Berger, tanzjournal, 12/2006 |
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